Verbal Communication Strategies for Recording Eurogenetic (Western Classical) Music (81545)

Session Information:

Session: On Demand
Room: Virtual Video Presentation
Presentation Type:Virtual Presentation

All presentation times are UTC0 (Europe/London)

Verbal communication strategies in classical music recording sessions are explored in this research, with a focus on the interaction between the recording team (producer and/or recording engineer) and performers. Challenges encountered on a self-produced record led to the development of a notation system by the researcher to address performance issues during recording Eurogenetic (Western classical) music. The researcher shifted the focus to investigating communication dynamics within recording sessions, emphasizing the importance of effective feedback exchange. Western classical music production process is outlined, highlighting the collaboration between performers and the recording team. Existing literature gaps are identified concerning marking performance issues, translating them into constructive feedback, and how these interactions impact the recorded sound and production processes. Research questions centre on understanding and enhancing communication in recording sessions, aiming to observe and improve verbal interactions between recording teams and performers. Practice-based research is adopted as a methodology, along with integrating elements of ethnography, descriptive analysis, and case studies to capture the complexity of communication dynamics in studio work. Generated themes include the performer’s understanding of studio recording experiences and building trust between producers and performers. Importance is placed on setting mutual expectations, accommodating different communication styles and personalities, and involving performers in pre-production discussions. Further research will explore the challenges and opportunities of independent classical music production, developing a notation system, and fostering a deeper appreciation for effective communication in recording environments.

Authors:
Emre Ekici, University of Otago, New Zealand


About the Presenter(s)
Emre Ekici is a PhD candidate in music at University of Otago, New Zealand. His topic concerns the producer's role as communicator in classical music productions. He employs practice-based research methodology enhanced with qualitative interviews.

Connect on Linkedin
https://www.linkedin.com/in/emre-ekici-sound-engineer/

Connect on ResearchGate
https://www.researchgate.net/profile/Emre-Ekici-2

Additional website of interest
https://emreekici.com

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Posted by Clive Staples Lewis

Last updated: 2023-02-23 23:45:00