The paper aims to show how architecture can both reflect and challenge societal perceptions of gender and class on the example of intricate interplay between spatial organization and set design in the function of portrayal of marginalized social groups in opera. By analyzing the architecture of spaces created by scenic design in contemporary opera productions, study investigates the position of women, particularly those depicted as sex workers, with a specific focus on contrasting performances of Verdi’s "La Traviata".

Violetta Valéry’s character, fluctuating to the modern times since the 19th century, serves as a poignant example for both a loving woman who has gone astray or someone who is not willing to let go of her courtesan past and accept the fragility of being in love. Analysing this interpretational duality through the modalities of architectural response in bringing visionary opera staging (Regieoper) concepts to reality, this study seeks to elucidate how the architecture itself reflects societal attitudes.

By highlighting various aspects of Violetta's character, productions selected for this case study have the potential to cast a fresh perspective on familiar plots and amplify messages that were maybe previously left unnoticed. Ultimately, this research aims to emphasize the potency of architectural atmospheres in visual storytelling and shaping our perceptions of marginalized individuals, all while underscoring the potential for theatrical productions to serve as platforms for social critique and catalysts for change.

Authors:
Jovana Stefanović, University of Belgrade, Serbia

About the Presenter(s)
Jovana Stefanović, PhD candidate at the University of Belgrade and architect working at CBH+P design studio. Artistic work in field of theatrical set design. Classicaly trained violinist and opera singer. Former musical theoretician.

See this presentation on the full schedule – Monday Schedule

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